INSIDE TEHERAN
I arrived in Teheran on January 2004. My interest was life inside households. It happens frequently, when departing for a journey with a camera, accompanied by the inside personal experience, that the photographic essay directs towards a subconscious vision.The subtle undertones of the complex Iranian social structure was strongly influencing me. Equivocal messages and unordinary reactions inspired me. My eyes and my feelings took notes for a photographic essay. My vision in the intimacy of places and interiors of houses as the space favored for stories regarding women, where objects seem to be suspended in time awaiting for changement, enchanted me. An ambiguous relation between "inside" and "outside", at times confounding and contradictory, is what I translate in "Inside Teheran".